No dictation to-day; R. sets to work on a composition for the Americans[1] (opening of the World Exhibition, a centenary celebration of emancipation); he has asked 5,000 dollars, will this be granted him by those who commissioned it? When I come to table he plays a gentle, rocking theme; for American pomp, he says, nothing will come to him. A sleigh-ride, with little good result; in the evening piano trios by Ludwig van Beethoven, D major and B-flat major,[2] a profound impression, especially from the latter; regret that Beethoven does not bring the Adagio to a close, but, as R. says, passes into the Finale as if with a lash of the whip. — A Herr Ritter[3] from Heidelberg brings a new kind of viola, which Richard finds excellent and wishes to introduce into his orchestra. At the close of such evening recreations, however, R. is always weary.
[1] Grand ceremonial march for the centenary of American independence.
[2] Piano Trio Op. 70 No. 1 and Op. 97.
[3] Hermann Ritter (1849–1926), musician in Heidelberg, invented the viola alta and played in the festival orchestra; see also April 19 and the accompanying note.
Revised English translation by Jo Cousins [© Jo Cousins | WAGNER Salon]
Further Documents:
